SunPass coming to Rickenbacker, Venetian causeways in 2014

The introduction of SunPass on two Miami-Dade causeways is the latest in a series of initiatives to expand use of Florida’s electronic toll-collection system beyond state highways.

“We are hoping that a year from now, in 2014, the new system will be in place on both the Rickenbacker and then the Venetian Causeway,” said Michael R. Bauman, chief of the Miami-Dade public works and waste management department’s causeways division.

Originally, the county had planned to activate SunPass on the causeways in 2012, but the project was delayed because of contractor issues and efforts by all Florida tolling agencies to centralize back-office operations that include billing and other customer services, Bauman said.

Conversion of causeways’ C-Pass system to SunPass transponders will be one of the most significant changes in the history of the storied roads that carry tens of thousands of commuters every day to and from the mainland.

The 5.4-mile Rickenbacker, the longer of the two causeways, is also the newest. It opened in 1947. The 2.8-mile Venetian opened in 1925.

Tolls have been charged on both causeways for decades. The Rickenbacker was the first to adopt electronic tolling in 1997 with the C-Pass system, followed by the Venetian shortly after.

Both causeways still take cash at some toll plaza lanes.

While the plan is to eliminate cash tolls, Bauman said details are more advanced for the Rickenbacker than for the Venetian.

As a result, he said in an interview, details of how SunPass will operate on the Venetian remain undecided.

On the Rickenbacker, however, he said the toll plaza will be removed and its eight lanes will be reconfigured into four lanes with electronic gantries. Cash will no longer be accepted.

In both cases, said Bauman, lower annual tolls paid by residents and commuters served by the Rickenbacker and Venetian will be preserved under the SunPass arrangement.

The vehicles of residents and commuters already registered with causeway systems will be recognized by SunPass, and no additional toll charges will be made, Bauman said.

The current cash toll price on both causeways is $1.50. Whether that rate will remain once SunPass kicks in is still under discussion, Bauman said.

On the Rickenbacker and Venetian, residents with C-Pass transponders pay a flat $24 per year. Nonresidents who drive the Rickenbacker pay $60 per year and Venetian commuters pay $90.

Registration will continue, but it will be done online.

Drivers who don’t have SunPass will still be allowed to use the causeways. They will be billed later via Toll-by-Plate, Bauman said.

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Iowa man, sister reunite thanks to Facebook, boy

DAVENPORT, Iowa (AP) — An Iowa man has been reunited with his sister 65 years after the siblings were separated in foster care thanks to a 7-year-old friend who searched Facebook.

Clifford Boyson of Davenport met his sister, Betty Billadeau, in person on Saturday. Billadeau drove up from her home in Florissant, Mo., with her daughter and granddaughter for the reunion at a hotel in Davenport.

Boyson, 66, and Billadeau, 70, both tried to find each other for years without success. They were placed in different foster homes in Chicago when they were children.

Then 7-year-old Eddie Hanzelin, who is the son of Boyson‘s landlord, got involved.

Eddie managed to find Billadeau by searching his mom’s Facebook account with Billadeau’s maiden name. He recognized the family resemblance when he saw her picture.

“Oh, my God,” Boyson said when he saw and hugged Billadeau.

“You do have a sister,” Billadeau said.

“You’re about the same height Mom was,” Boyson said.

Billadeau’s daughter, Sarah Billadeau, 42, and granddaughter, Megan Billadeau, 27, both wiped away tears and smiled during the reunion.

“He didn’t have any women in his life,” Sarah said. “We’re going to get that straightened out real fast.”

Boyson said he’s looking forward to visiting Billadeau near St. Louis and meeting more family.

“I’m hoping I can go and spend a week or two,” he said. “I want to meet the whole congregation. I never knew I had a big family.”

Eddie, who enjoys messing around with his family’s iPad, said he’s glad he was able to assist in making the reunion happen and that he learned about helping others at school.

“Clifford did not have any family, and family’s important,” the boy said.

Near the end of their tearful reunion Boyson and Billadeau presented Eddie with a $ 125 check in appreciation of his detective work.

Social Media News Headlines – Yahoo! News

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70th Annual Golden Globes Show Recap

Universal/ Warner Bros.

Some big surprises and lots of humor kept the 70th Annual Golden Globes fun, interesting and fast-moving Sunday night in Hollywood. On the film side, Argo was named Best Picture of the Year - Drama, while Les Miserables was named Best Picture of the Year - Comedy or Musical, with Daniel Day-Lewis, Hugh Jackman, Jessica Chastain, Jennifer Lawrence and Anne Hathaway among the stars taking home trophies. On the TV side, Showtime's Homeland scored big and so did HBO's Girls, with Lena Dunham, Claire Danes and Damien Lewis among those recognized.

Get the complete list of winners HERE.

The Best in Movies

In addition to Best Pictures Argo and Les Mis, Amour was named Best Foreign Language Film (Austria) and Disney-Pixar's Brave was named Best Animated Feature Film. A shocked Ben Affleck was named Best Director for Argo, quite the vindication after being snubbed for a Best Directing Oscar nom, and a very jovial Quentin Tarantino got the Best Screenplay award for Django Unchained.

Daniel Day-Lewis picked up the Best Actor - Drama award for his turn as Lincoln, and was quick to credit the other actors in the room: "Such beautiful performances this year; I'm very proud to be one amongst you." He also singled out director Steven Spielberg, "a humble master with a quicksilver imagination. ... You've given me an experience that I will treasure until the end of my life." Day-Lewis beat out Richard Gere, John Hawkes, Joaquin Phoenix and Denzel Washington.

Hugh Jackman was named Best Actor in a Motion Picture – Comedy or Musical for Les Mis, beating out Jack Black, Bradley Cooper, Ewan McGregor and Bill Murray. Thanking the "most amazing cast in the world" and his "visionary director," he also singled out his wife for "talking him off the cliff" when he doubted his singing abilities during rehearsals.

Related: ETonline's Complete Golden Globes Coverage

Jessica Chastain was named Best Actress - Drama for her role as a tenacious CIA analyst in Zero Dark Thirty. Calling her win a dream come true, the emotional and proud actress she pointed out that she's "been on the sidelines for years, and to be here at this moment, it's a beautiful feeling to receive this encouragement and support." She also told her director Kathryn Bigelow, "You've done more for women in cinema than you've taken credit for." Chastain bested Marion Cotillard, Helen Mirren, Naomi Watts and Rachel Weisz.

Silver Linings Playbook star Jennifer Lawrence was named Best Actress - Comedy or Musical over tough competition Emily Blunt, Judy Dench, Maggie Smith and Meryl Streep. Joking, "Oh, what does [the statuette] say? I beat Meryl!" She went on to thank her co-star Bradley Cooper, "who made me better every day," and surprisingly started to choke up while thanking her family.

Les Mis star Anne Hathaway was named Best Supporting Actress, and practically had to pinch herself to see if the moment was real. She excitedly said, "Thank you for this lovely blunt object I will forevermore use as a weapon against self-doubt," and gave a shout-out to the "great and gutsy actresses" (Amy Adams, Helen Hunt, Sally Field, Nicole Kidman) in her category as well as her "fearless" cast and director.

Christoph Waltz owes a lot of gold to Quentin Tarantino: He was named Best Supporting Actor for his performance in Django Unchained, his second nom and win following his audacious Inglourious Basterds introduction to the mainstream film world. The Austrian actor told his director, "My gratitude knows no words," and concluded, "This journey was incredible. To borrow a sentence from my character … The North Star is that one. Ta-da." Waltz bested co-star Leonardo DiCaprio, Alan Arkin, Philip Seymour Hoffman and Tommy Lee Jones.

Pics: Golden Globes Red Carpet Fashion

The Best in TV

Homeland hit a major home run Sunday night, winning Best Television Series – Drama and beating out Boardwalk Empire, Breaking Bad, The Newsroom and Mad Men, while seeing its two stars, Damian Lewis and Claire Danes, win Best Actor and Actress in the category. Calling the statuette a true "perk" to have picked up along the way, Lewis dedicated the win, "To my mom, who I know is out there looking down on me, bursting with pride and telling everyone how well her son is doing acting." For Danes, it was her fourth Globe win, and she thanked the Hollywood Foreign Press for being "so insanely generous for so many years now. I was up here when I was 15." She lauded the women in her category, saying, "I'm very proud to be working in this medium, in this moment, in this company," and thanked her co-workers for accommodating her pregnancy during the production of the show.

Girls was named Best TV Series - Comedy or Musical, and its star and executive producer Lena Dunham upset the competition to win Best Actress – Comedy or Musical. Besting Zooey Deshanel, Julia Louis-Dreyfus, Tina Fey and Amy Poehler, she declared "I worship them" before sharing her award with "every woman who felt there wasn't a space for her; this show made a space for me."

Other Awards of the Night

HBO's Game Change also hit a triple, named Best Motion Picture Made for Television, with its star Julianne Moore landing Best Actress in the same category for her portrayal of Sarah Palin, and Ed Harris winning the Best Supporting Actor prize for his portrayal of presidential hopeful John McCain; Hatfields & McCoys star Kevin Costner was named Best Actor in a Mini-Series Made for Television; Don Cheadle was named Best Actor in a Television Series – Comedy or Musical for his performance in House of Lies, while Maggie Smith was singled out for her Best Supporting Actress in a Series for her performance in Downton Abbey.

Best Original Score – Motion Picture went to Mychael Danna for Life of Pi, and Adele's stirring Skyfall was named Best Original Song – Motion Picture. The new mom and multiple Grammy winner exclaimed, "Oh my God!!!!" when she hit the stage and candidly said that this was really just a fun night out with her friend, also a new mom: "We've been pissing ourselves laughing over there." She also thanked her "lovely Simon."

Related: Best Golden Globe Award Zingers

Show Highlights

Co-hosts Tina Fey and Amy Poehler kept the proceedings full of laughs, with their opening monologue especially putting the celebrity audiences in stitches. Throughout the show, the pair also slipped into the audience, wearing goofy disguises as actors looking to accept faux nominations; Kristen Wiig and Will Ferrell played clueless presenters who saw none of the movies in the Best Actress category -- but tried to fake it anyway when describing the performances; Tony Mendes, the real-life CIA agent behind the true story of Argo, took the stage with John Goodman to present Argo, and Bill Clinton also surprised the audiences to introduce Lincoln; Sacha Baron Coen roasted his Les Mis co-stars; and Francesca Eastwood, daughter of Clint Eastwood and Frances Fisher, and Sam Fox, son of Michael J. Fox and Tracy Pollan, were presented as Mr. and Miss Golden Globes.

And there wasn't a dry eye in the house when Jodie Foster was presented with the Cecil B. DeMille Award by good friend Robert Downey Jr. Starting with plenty of self-effacing comedy ("I'm 50! You know, I was going to bring my walker tonight, but it just didn't go with the cleavage."), Foster turned the podium into a confessional and half-joked about giving a big "coming out speech" before turning the focus to how important privacy truly is as a celebrity ("If you had been a public figure since the time that you'd been a toddler, you too would value privacy above all else.") and declaring how proud she is of her "modern family." Getting emotional, she concluded, "This feels like the end of one era and the beginning of something else."

Watch ET for complete coverage of the 70th Annual Golden Globes.

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Grand Central crisis

Steve Cuozzo

Microsoft just announced it’s moving its New York headquarters to a new office building at Eighth Avenue and 42nd Street. Construction has started on a new home for Coach Inc. at Hudson Yards. And it’s old news that Conde Nast is moving to the World Trade Center. But which big companies are moving their front offices to Midtown’s fabled east side?

Not one — even though it should be the city’s most desirable neighborhood for corporate headquarters, with its transit links and unparalleled hotels, stores and restaurants.

That’s why East Midtown rezoning is desperately needed. The vast Grand Central district isn’t just “obsolescent”; it’s useless for companies wanting to move or grow and increasingly irrelevant overall. Without prompt attention, it will tragically devolve into a well-located back-office district.

Business Wire

Older buildings can’t beat this: A rendering of 250 West 55th — the kind of modern structure that’s stealing Midtown East’s snazziest tenants.

No government decision due this year matters as much as Midtown East rezoning. The stakes are huge: Will Manhattan retain its pre-eminent position among world business capitals? Or will institutionalized decay in its heart reduce it to also-ran status?

The long-overdue proposal from the Department of City Planning would allow construction of larger new buildings than are now permitted in a 78-block swath of the East 40s and 50s. Mayor Bloomberg wants it passed before he leaves office; the City Council must vote by October.

It’s a fourth-quarter, hail-Mary play after years of delay in bringing the area into the 21st century.

The Manhattan market draws its juice from new office towers that draw glamorous tenants seeking a showcase home with advanced electronic, security and environmental features.

Yet once-supreme Midtown East is frozen in aspic. Zoning written in 1961 made major new development there near-impossible. Existing buildings, now 66 years old on average and burdened with antiquated systems and cramped floor plates, are dinosaurs facing functional extinction in the digital age.

In much of the district, they can’t even be replaced with modern structures no larger than the ones there now. That’s because most of the buildings predate the 1961 rules, which shrank the size of permissible reconstruction. Existing structures were grandfathered in — not so, potential new ones.

As a result, leading companies in need of state-of-the-art new facilities are moving anywhere but along or astride the Park Avenue corridor that was once their first choice.

But council members are being furiously lobbied against the rezoning. Preservationists, “congestion”-phobes, advocates for “higher civic aspirations” and just plain obstructionists want to kill or dilute the measure — or at least delay it ’til Bloomberg’s gone.

They howl that larger, taller skyscrapers might, God forbid, cast shadows on or diminish the grandeur of masterpieces like the Chrysler and Seagram buildings and Grand Central Terminal.

Meanwhile, landlords who know how desperate the situation is pull their punches for fear of making the fading precinct sound even less appealing than so much of it has become.

Yes, a number of marquee headquarters tenants such as Citigroup remain. But vacancies are inching up toward 13 percent (as counted by real-estate brokerage CBRE). More ominously, corporate momentum of the kind that sets the pace for the commercial scene is all on the way out, not in.

City Hall warns that without change, tenants who’ve been attracted to East Midtown “in the past would begin to look elsewhere.” In fact, they’ve been going elsewhere for many years.

Time Warner moved to Columbus Circle, Hearst to Eighth Avenue and Bank of America to Sixth Avenue and 42nd Street. Law firm Proskauer Rose chose 11 Times Square, where Microsoft is headed as well.

Two large law firms chose brand-new 250 W. 55th St. One of them, Kaye Scholer, is leaving 425 Park Ave., its home of 55 years. The building is so antiquated, its owners plan to tear it down for a new one designed by architect Norman Foster. But because the relic is “overbuilt” by 1961 rules, they must keep 25 percent of its steel merely to put up a same-size new structure.

That will complicate and maybe compromise the effort. But it’s that, or wait four years for new zoning to kick in, if it’s approved.

The “sunrise provision” and other complexities with which the city hamstrung the rezoning proposal are needless. But even with flaws, it’s a must to liberate East Midtown from its straitjacket.

Until then, the area’s only hope is ambitious upgrade of older properties, as is happening at 280 Park Ave. But patch-and-fix isn’t the optimal future for a neighborhood that still embodies the magic of Manhattan as no other.

The goal is to reaffirm its premier status. It will only happen by allowing new landmarks — big, tall and worthy of their setting — to rise in the century ahead.

scuozzo@nypost.com

Have a comment on this PostOpinion column? Send it in to LETTERS@NYPOST.COM!

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After rough year, Carnival hopes for calmer waters

After boarding the latest addition to the Carnival Cruise Lines family, Josh Beaver sampled lasagna at the new onboard Italian restaurant, downed some drinks with his traveling companions and hit the water slides while the afternoon was still young.

“So far, from what I’ve seen, there’s lots to do,” said Beaver, 33, of Holden Beach, N.C.

The Carnival Breeze hadn’t even left PortMiami yet on a recent Saturday, and already it buzzed with vacationers exploring all there was to do: nosh on a Pig Patty from the new Guy’s Burger Bar, make friends with bartenders at the new RedFrog Pub or check out a novel and a glass of the grape at the new Library Bar.

Here aboard one of the largest ships in the biggest brand of the Number One cruise ship company in the world, there was little hint that the last year was one of the toughest in the 41-year history of parent company Carnival Corp. & plc.

Last year got off to a catastrophic start when Costa Concordia, owned by Carnival unit Costa Cruises, struck rocks in Italian waters as the captain steered the ship on an unauthorized route. The massive liner listed to one side, and 32 people died in the chaos that followed.

“When you lose lives, it’s heartbreaking,” said Carnival Corp. Vice Chairman and COO Howard Frank, who devoted much of his time last winter handling the aftermath with Costa leaders. “And so I think in terms of our emotional reaction to it, it’s been the toughest year we’ve had.”

Carnival Corp. Chairman and CEO Micky Arison took criticism for not going to Italy following the wreck, but said he believes the company did the right thing and doesn’t second-guess his actions.

Financially, the company took a hit as well, starting with discounts that were necessary to drum up business after the accident. Costa’s future bookings plunged, but picked up after the operator slashed prices. As of mid-December, prices at Costa remained lower than they were a year earlier, though the company expects that to change once the anniversary of the accident passes.

“I think we’ve been consistent in saying the recovery at Costa is not a one-year issue,” Arison said during the December earnings call with analysts. “It’s going to be multiple years, and we are forecasting a recovery of about half the yield deterioration.”

The ship remains on its side off the island of Giglio; it’s expected to be removed by the end of summer.

A flurry of civil lawsuits have been filed, but none have reached trial yet; the company has reached compensation agreements with 70 percent of the more than 3,000 passengers who were not physically injured and 60 percent of injured passengers and families of those who died.

As the company and broader industry focused anew on safety, the summer months presented a fresh set of problems when the European economy weakened just as cruise lines were stationing more ships in the Mediterranean. While North America was immune to those concerns, the run-up to the Presidential election and the fiscal cliff debates prompted Carnival to worry about a slowdown in business at home.

Last month, Carnival forecast 2013 earnings that were lower than expectations and said advance bookings for the year were behind what they were a year earlier at lower prices. Many analysts believe the projections were conservative, though, and executives said they were hopeful that January would bring more robust business.

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Newark mayor to headline Broward Democrats’ fundraiser

Rising Democratic star and Newark, N.J. Mayor Cory Booker will be the keynote speaker at the Broward Democrats’ annual fundraiser March 23.

“He is clearly part of next generation of Democratic leaders,” local party chairman Mitch Ceasar said.

Booker, an African-American Rhodes scholar and Yale University law grad, became mayor at age 37 in 2006. He turned down a job offer from President Barack Obama after his first win. In 2012, Booker spoke at the Democratic National Convention and recently confirmed he is exploring running for U.S. Senate.

The Unity Dinner is the main fundraiser for Broward Democrats, who are preparing for the 2014 elections — most notably, a challenge to Gov. Rick Scott.

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Olivia Wilde and Jason Sudeikis Engaged

Olivia Wilde, 28, and Saturday Night Live star Jason Sudeikis, 38, are engaged, ET can confirm.

The pair, who went public in December of 2011, moved in together last year and have been seemingly inseparable since.

Related: Olivia Wilde Divorces Italian Royal

According to People, Sudeikis proposed to the Tron: Legacy star shortly after the holidays.

"They are so excited," says a source. "And very, very happy."

No word yet on a wedding date.

Video: Olivia Wilde Steams Up the Screen

This will be the second wedding for Wilde, whose divorce to Italian royal Tao Ruspoli was finalized in late September of 2011.

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NBC backs gun show

Nbc Sports, the home to gun-control advocate Bob Costas, is sticking with its commitment to be a sponsor of the National Shooting Sports Foundation 2013 SHOT Show, which is the largest US gun trade show, this week.

The NSSF is headquartered in Newtown, Conn., where a gunman killed 20 children and six adults in an elementary school on Dec. 14 with a semiautomatic rifle.

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Miami Beach builder Robert Turchin looks back — and ahead

If former Miami Beach vice mayor Robert Turchin had been a Miami decision maker during the recent vote that decided the fate of The Miami Herald building, he would probably have voted with the ‘nays’ allowing its demolition.

“There’s nothing special about it,” says the 90-year-old Turchin as he cruises Collins Avenue between 63rd and 48th streets, a strip dense with buildings from the same period as the Herald’s — specimens of post-war Miami Modern (MiMo) architecture that he constructed.

It is no exaggeration to say that Turchin built much of post-war Miami Beach, collaborating with Melvin Grossman, Morris Lapidus and other MiMo period architects. From 1945 to 1985, his firm was the busiest in the building trade. Royal York, Montmartre, Moulin Rouge, King Cole, Charter Club, Four Ambassadors — the list goes on, numbering upward of 100 buildings.

“I grew up when Miami Beach was a small town. It was 1945, and the hotels would close during the summer for renovations because they had no air conditioning. I couldn’t wait for summers, when I would return from school and work on the construction sites,” Turchin says.

In an era when hotel signs sometimes read “No Jews or dogs,” Turchin’s father was a successful builder who hoped his son would be a diplomat. It was not to be. After serving in World War II, for which he recently received a French Legion of Honor medal, he started his first project. Like subsequent ones, it broke the mold.

“The GI Bill made housing affordable for veterans, but it was single-family housing. I wanted to build a four-family unit under the bill,” Turchin says. It was an unprecedented proposal that went from city to state to federal agencies before it was approved. The multi-unit buildings launched the concept of condominiums.

As did other builders, he began to experiment with air conditioning. “Once we were able to air condition them, the hotels stayed open year-round. The beach boomed then,” he says.

Buildings came down to make way for new ones. Turchin’s Morton Towers went up where Carl Fisher’s circa 1920 Flamingo Hotel stood on 15 acres. “The land had become more valuable than the building,” he explains.

Turchin became known as “the builder’s builder” for riding to the top floor of construction sites on the hook of a crane, and walking the beams to inspect the work. His view of the built landscape was daring, pragmatic, and often at odds with those of preservationists like Nancy Liebman, a Miami Beach city commissioner from 1993 to 2001 who served with Turchin on the city’s first historic preservation board.

“A lot of the beautiful mansions on the bay and beach were lost to that kind of development,” laments Liebman. “It was the typical mentality of throw it away and build something new.”

But Turchin was building for the next generation. To him, the Art Deco buildings of his father’s generation — Edgewater Beach, the Sands and the Sea Isle where he honeymooned with his wife — were old school.

“They made no sense. They were all building with a few trees in front. They weren’t called Deco back then. Curlicues on concrete is how we thought of them,” he says.

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Jurors hear secret tape recording in Miami police corruption trial as feds rest their case

As rain began to fall on a June evening, Miami Police Sgt. Raul Iglesias told an undercover detective in his drug-fighting squad to turn off his cell phone and take out the battery as both officers stood outside the boss’s home.

Iglesias, already relieved of duty on suspicions of being a dirty cop, feared Roberto Asanza’s phone could be recording him. And his instincts were right, because Asanza was wired — though not through his phone.

“No one has done anything illegal or broke the law,” Iglesias told Asanza in the recorded conversation, played for jurors Friday at the sergeant’s corruption trial in Miami federal court. “... If they got, they got [it], but I [have] never seen anyone in my unit do anything wrong.”

Later in their chat, Asanza — who was cooperating with authorities and trying to bait his boss into incriminating statements — expressed fears about lying on the witness stand if he was asked to testify. Iglesias agreed that committing perjury would be a bad idea.

“Yeah, of course, you don’t wanna, you don’t wanna f---ing lie,’’ Iglesias responded.

The secret tape recording from June 2010 was the last piece of evidence that prosecutors presented before resting their corruption case Friday against Iglesias, 40, who has been on the force for 18 years.

Iglesias, an ex-Marine and Iraq War veteran who was shot in the leg during a 2004 drug bust, is standing trial on charges of planting cocaine on a suspect, stealing drugs and money from dope dealers, and lying to investigators about a box of money left in an abandoned car as part of an FBI sting.

Asanza, 33, also an ex-Marine, pleaded guilty last year to a misdemeanor charge of possessing cocaine and marijuana. The deal helped him avoid a felony conviction; in exchange, he testified Thursday that Iglesias told him it was “okay” to pay off confidential informants with drugs.

The secret tape recording could cut both ways for jurors. On it, Iglesias did not say anything to Asanza to implicate himself in connection with charges in the nine-count indictment, his defense attorney, Rick Diaz, pointed out Friday. The charges encompass the police sergeant’s brief stint as head of the Crime Supression Unit from January to May 2010.

Miami Internal Affairs Sgt. Ron Luquis, a government witness, agreed with Diaz’s general assessment during his testimony Friday, though the witness also sided with many of prosecutor Ricardo Del Toro’s critical views of the same evidence.

Asanza, despite agreeing to cooperate, discreetly gave his supervisor a heads-up that he was facing a potential criminal investigation when they met for the recorded conversation, according to sources familiar with probe.

The recording was made two months after other members of Iglesias’ Crime Suppression Unit wrote an anonymous letter to internal affairs, alleging that he was “stealing drugs and money” from dealers “2-3 times per 4-day work week.” Five CSU members, including Asanza, testified against Iglesias over the past week.

Asanza’s recording of Iglesias was less intelligible when both went inside the police sergeant’s home. Asanza’s wire picked up the sound of a barking dog, a blaring TV and the rustling of paper. Investigators believe Iglesias wrote down information on sheets of paper and later burned them, but that evidence was not presented to jurors.

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